The Resource Center for Cyberculture Studies has posted two new reviews of Half-Real: One by Curt Carbonell, one by Randy Nichols. And I have written a short response.
Complete announcement follows:
My name is Jesper Juul, and I am a Ludologist [researcher of the design, meaning, culture, and politics of games]. This is my blog on game research and other important things.
The Resource Center for Cyberculture Studies has posted two new reviews of Half-Real: One by Curt Carbonell, one by Randy Nichols. And I have written a short response.
Complete announcement follows:
I am at the State of Play symposium in New York, and by the end of the first panel, we witnessed a discussion about rules.
I have heard this discussion many times by now, but it tends to follow the exact structure that it did here. According to my notes:
Richard Bartle: In games, everyone must play by the rules, and people play by the rules because this gives fun that you wouldn’t have without those constraints. At the same time, there will also be people who cheat.
Conference participant 1: No no, there are many studies that players don’t play by the same rules, and don’t agree what the rules are.
Conference participant 2: Sure soccer has rules, but there is also a large aspect of cheating, so why not make the rules to accommodate this cheating?
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I think I understand it now. Let’s say there are two positions here: 1) Pro-rules, and 2) anti-rules. Pro-rules people generally make pragmatic descriptions of the gameplaying activity, and anti-rules people commonly apply a general poststructuralist skepticism towards descriptions of structure. Here’s how the discussion plays out:
Here’s what I think: I think the pro-rules people (such as myself) make general pragmatic descriptions of games and gameplaying. And I think that these descriptions just push a very well-defined button for the anti-rules people that then hear something very different from what I believe is being said.
The anti-rules position additionally tends to claim to be uniquely taking the player’s side, and to uniquely be interested in how players actually use games. Eric Zimmerman once pointed out that talking about rules tends to get you pigeonholed as “anti-player”. This is obviously wrong.
I think a much better starting position for rule research would be to say you want to look at how rules are negotiated, constructed, upheld, and broken. But not to begin by a priori privileging (oh yes) rules being upheld, or rules broken as the preferred conclusion you hope to arrive at.
If you ever played Monty on the Run, then enjoy this:
I am not sure how to read it: Are they saying that all video game players are just hamsters, part of a sinister experiment?
I will be speaking at CMS / MIT in Boston on November 28, 2006 at 5:00 PM.
Location: 1-136
Half-Real: A Video Game in the Hands of a Player
What happens when a player picks up video game, learns to play it, masters it, and leaves it? Using concepts from my book on video games, Half-Real: Video Games between Real Rules and Fictional Worlds, I will argue that video game players are neither rational solvers of abstract problems, nor daydreamers in fictional worlds, but both of these things with shifting emphasis. The unique quality of video games is to be located in their intricate interplay of rules and fictions, which I will examine across genres, from casual games to massively multiplayer games.
I am experiencing a sense of missed opportunity for not waiting in line for several days, for not being mugged while waiting in line for a PS3.
I am not entirely kidding.
John Hopson has a quite critical article on academic game research over at Gamasutra: We’re Not Listening: An Open Letter to Academic Game Researchers.
But honestly, even I walk past most of the academic presentations at industry events. Even I have trouble really getting excited about most of the games research being done out there. From the perspective of someone on the inside, the average piece of academic games research just doesn’t get the job done. It’s not a question of the quality of the research or the intelligence of the researcher or the game makers; it?s a question of bridging the gap between the academic and business cultures.
I must admit that I am a “cup is half full” kind of guy on these matters. It just isn’t possible to make everybody happy all the time. Of course, when I really am trying to make developers happy, I would like them to be, and the article has some good ideas for that. But there is still work to be done on the managing of expectations:
The researcher must lay out the entire impact of the idea, from the cost of implementing the proposal to the resulting changes in player experience and the metrics for measuring that impact. Getting players to identify with the main character is great, but researchers have to finish the rest of the sentence: “This will help players identify more strongly with the main character which will result in an improvement in measures of overall player satisfaction and an increase in total playing time.”
Actually laying out the cost of implementing a change on a specific project – I would be happy to help, but I need more data than what’s publicly available.
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That said, I am actually working on some research that is intended to both satisfy a purely theoretical curiosity, and to lead to recommendations like the one above – “do this, and player satisfaction will increase“.
Do that, and game developer satisfaction will increase.
Counterclockwise. Play it.
(Via Matteo.)
Nothing more inelegant or ineffective than an art conceived in another art’s form. (Robert Bresson)
Stumbled upon this quote, strangely appropriate for the discussion about games and art.