Congratulations to Nick Montfort for successfully defending his Ph.D. thesis at University of Pennsylvania!
It’s a wild project, actually: Nick has made an interactive fiction where you can change viewpoint, tense, etc… on the fly. Check it out!
My name is Jesper Juul, and I am a Ludologist [researcher of the design, meaning, culture, and politics of games]. This is my blog on game research and other important things.
Congratulations to Nick Montfort for successfully defending his Ph.D. thesis at University of Pennsylvania!
It’s a wild project, actually: Nick has made an interactive fiction where you can change viewpoint, tense, etc… on the fly. Check it out!
(Posting this after everybody else.)
Julian Dibbell’s new article at the New York Times on Chinese Gold Farmer.
As already Roger Caillois was on to, professionalization raises the basic question, Is it still a game?
And, apparently, yes, sort of.
It is hard, in any case, for Zhou to say where the line between work and play falls in a gold farmer’s daily routines. “I am here the full 12 hours every day,” he told me, offhandedly killing a passing deer with a single crushing blow. “It’s not all work. But there’s not a big difference between play and work.”
I turned to Wang Huachen, who remained intent on manipulating an arsenal of combat spells, and asked again how it was possible that in these circumstances anybody could, as he put it, “have sometimes a playful attitude”?
He didn’t even look up from his screen. “I cannot explain,” he said. “It just feels that way.”
*
As a video game theorist, I can sympathize with the line of reasoning. I get similar questions on occasion:
Q: Are games still fun when you are studying them professionally?
A: Yes.
Some games have actually become more fun. When playing a game that really isn’t that good, I can think about more interesting theoretical perspectives on the game. On the other hand, I do rely on a continuing supply of quirky games. Where would we be without Rhythm Tengoku?
This blog recently entered into its 5th year of existence, and I was thinking how much feed readers have changed everything: Initially I would be worried about not posting in case somebody visited the site in vain. And now: Everybody will just see it in their reader, won’t they? Are blog posting pauses a problem anymore?
Are you reading this via a feed?
It’s extremely hard to take the current commotion about Resistance Fall of Man seriously.
The Church of England is outraged that Resistance Fall of Man features a location with likeness to the Manchester Cathedral, Tony Blair is asked to comment, and the church would be willing to calm down for a price.
Something is seriously wrong – everybody seems to basically understand the difference between fiction and non-fiction, but when it comes to video games, otherwise intelligent people will happily short-circuit and claim that a sci-fi game “encourages people to have guns battles in the building“.
The part about encouragement comes from the bishop of Manchester, and it raises the question whether he personally felt very encouraged to engage in gun battles after playing the game? I think he needs to step forward on this issue: Did he feel a strong urge towards real gun violence that he could only barely control?
Or is it rather a sort of interpretation-by-proxy along the following lines: All these weird people who play video games must surely feel encouraged to engage in gun battles in the cathedral. (Though I have no basis for this assumption whatsoever. Please send money.)
How can you not desperately want to own this game?
Wired article on Soviet Era arcade games.
I mean – old, broken, mysterious arcade games I have never played, very exciting. On my wish list.
These days, I am quite fascinated with the idea of studying the development of a genre, game type, or game series over the years. It just hasn’t been done much (seems we have mostly been doing the very big picture or general musings on a single game), and the payoff from studying details is often surprisingly high. (To see the world in a grain of sand.)
Via GameSetWatch, here’s Blogging Ultima, where CageBlogger has been playing his way through the Ultima series since February.
From the introduction:
Welcome to what will presumably be a long-running Ultima blog. The purpose is to blog the experience of playing the now-defunct Ultima series by Origin Systems (plus a few other names here and there) from beginning to end. I will be including all the non-remake spin-offs that I am aware of, under the theory of “If I’m gonna do it, might as well go all the way.” I am not blogging as if I am a character in the game, or giving reviews. I’m going to write about the process of playing, the annoying things, the fun things, and the assorted mental musings that arise from any long-term activity.
Details are good.
High Seas – The Family Fortune
I am happy to announce my secret side project: High Seas – The Family Fortune.
It is our attempt at making a fairly innovative yet accessible casual game.
From the Press release:
“High Seas: The Family Fortune” brings players into the world of Tricia McDormand – a disenchanted young woman who has been trudging along at her father’s map company for years. That is, until one day, a long lost map of her late Grandmother – a legendary pirate – is found. With the map in hand, players join Tricia as she sails the seven seas in search of the mysterious family fortune. In order to power Tricia’s ship, players must drag rows of jewels and align them by shape or color – and receive big bonuses for aligning by shape and color. Players travel to 16 different island locales, and complete challenging puzzles to discover clues that reveal the great McDormand secret that has eluded historians for years!
Features
Credits
I could write a lot about the methods we used, but some of the work was surveying the history of matching tile games as previously mentioned, and after that a long prototyping phase with lots of iterations and user testing. I may do a longer writeup, depending on how the game does, I suppose.
Play the game!
In the meantime, please try and buy the game!
It’s hard to argue with Blizzard these days, but the announcement of StarCraft II stirs many emotions for me.
One is respect for the game design of the original game (balancing three entirely different races that well!), but the other is that I experienced my own playing as a long plateau: I would admire the game design, but feel that I just wasn’t getting any better at the game. Perhaps, this time.