Category: games

10 years of the Ludologist

Today is the 10th anniversary of The Ludologist blog. Here is the very first post, Welcome to Blogdom.

10 years sounds like a long time, but the blog also feels like it has been operating on its own separate time scale all along. I started blogging while I was working on my PhD, but now I have been a full-time academic for almost 9 years. I am also married and a father now (but I could never get myself to blog about personal things).

  • I started blogging when “video games” almost exclusively meant AAA games sold in boxes.
  • I started blogging before cell phone games had taken off.
  • I started blogging before casual games took off.
  • I started blogging before art games, indie games, and personal games.
  • When I started blogging, experimental game (or interactive art) creators used to emphasize that they were not making games in any way. Now they emphasize that they are.
  • Book published since I started blogging: 3.
  • Blog posts: 635.
  • Blog comments: 2142.
  • Best hosting service used: Hostgator. Worst: Dreamhost.
  • When I started blogging, there were few books on video games. We were still going over Huizinga, Caillois, and Sutton-Smith, looking for secret knowledge from the past.
  • I recently made a list of must-have video game books … got to 100. (I may post the list later.)
  • I started blogging before game jams were a thing, and when experimental video games were still considered weird and exceptional.
  • Twitter and social media are poor replacements for blog posts and discussion. Because: Twitter comments invariably become snarky and/or misunderstood. Facebook comments disappear in the stream of time.
  • Game studies is a big field now. I think we managed to construct the field, and to launch game educations (vocational or otherwise) at a surprising speed. I think that some of the better work and discussion show that we really are getting smarter.
  • Though there can also be a sense of history repeating at times. And yet, many of the basic questions (i.e. games and narrative, games and players, design and industry, what is a “good game”) are different questions now than they were 10 years ago. They appear against a different background.
    • Becoming smarter seems to entail that many of the discussions that were assumed to be resolvable on a high level … turn out to contain smaller discussions and questions inside.
    • Knowledge accumulates, but not in the way you thought it would.
  • Blogging and game research remain fun (in a much more pure and unambiguous sense than games are fun, strangely).

Thanks for reading!

Fake Challenges; Call of Duty as an Experimental Game

Not a new video, but I keep thinking about this video of a level in Call of Duty: Black Ops where the game goes out of its way to make the player think that he/she is playing a major part in driving the action forward, as well as as being constantly on the verge of failing.

Except you aren’t. Apart from two scripted moments, you can play through this 15-minute section without doing anything.

Question #1:  is this wrong? Is it bad design?

I think there is an impetus to denounce this as overly slick, commercial and dishonest design.

But wait! Note how poorly this game example fits with some of the recent discussions (1 2 3) concerning the importance (or non-importance) of choices. I think we currently associate denials of player agency with experimental, subversive, art or personal games.

But Call of Duty probably rates among the games least likely to be described as “experimental”, yet we can also compare this video’s lack of player choice and consequence to some of the discussion of Proteus, whose status as a game is questioned on the Steam Forums, and defended vigorously as such by designer Ed Key.

Question #2: Are there honest and dishonest ways of breaking player expectations? Good and bad? Interesting and uninteresting? How can we tell the difference?

Transactions of the Digital Games Research Association 1, 1

Just out, the inaugural issue of Transactions of the Digital Games Research Association (ToDiGRA).

ToDiGRA is meant as a venue for publishing some of the best papers from DiGRA conferences.

Vol 1, No 1 (2013)

A selection of best papers from the DiGRA 2011 conference in Hilversum, the Netherlands.

Table of Contents

Annika Waern, José Zagal: Introduction – HTML PDF

Jason Begy: Experiential Metaphors in Abstract Games – HTML PDF

René Glas: Breaking Reality: Exploring Pervasive Cheating in Foursquare – HTML PDF

Ioanna Iacovides, James Aczel, Eileen Scanlon, Will Woods: Making sense of game-play: How can we examine learning and involvement? –HTML PDF

Jonas Linderoth: Beyond the digital divide: An ecological approach to gameplay – HTML PDF

Gareth Schott, Jasper van Vught: Replacing preconceived accounts of digital games with experience of play: When parents went native in GTA IV – HTML PDF

#1ReasonToBe Panel Online

(Someone remarked to me the other day that he used my blog as an archive for historical discussions in games. And it made me realize that I hadn’t posted about #1ReasonWhy.)

Here are two write-ups on #1ReasonWhy. #1ReasonWhy Brings Game Design Discrimination To Light and #1ReasonWhy We Are All Responsible.

More recently, the video from the Game Developers Conference #1ReasonToBe panel has been made available, featuring Brenda Romero, Robin Hunicke, Elizabeth Sampat, Mattie Brice, Leigh Alexander, and Kim McAuliffe: http://www.gdcvault.com/play/1018080/

#1ReasonWhy prompted a number of horror stories, and made for very depressing reading. In addition to the raw quality of people’s experiences, I realized that it was depressing to hear that people had experienced something so different from what I experienced. My immediate personal association of game and computer culture was always one of inclusivity: feeling alienated and ill-fitted in regular and official congregations (such as high school), my experience was that game and computer culture was deep, welcoming, and inclusive – this was where I felt at home and accepted. Sure, people always challenge you on your skills and credentials (Did you play Dwarf Fortress? Do you write your own shaders? How many alts to you really have? Do you still use SVN?), but I felt at home in that.

It is depressing to realize people belonging to the same culture can also be so hostile and excluding on superficial grounds (e.g. gender). It is also clear that many have had the hardest time taking this to heart (see the Kotaku comments here), perhaps for the very same reason – they have personally had good experiences, so why would anyone feel excluded?

Hopefully this discussion is making us all smarter.

New issue of G|A|M|E, the Italian Journal of Game Studies

New issue of G|A|M|E, the Italian Journal of Game Studies.

vol. 1, 2013 – Journal: TECHNOLOGY EVOLUTION AND PERSPECTIVE INNOVATION

 

Get it here: http://www.gamejournal.it/issues/game-n-22013/

Art of Failure book launch March 7 in New York City

artoffailure_cover_180x264[1]

Art of Failure book launch w/ talks and game-playing:

Join us on Thursday, March 7th at 7PM for a conversation on the pain of playing video games!

We tend to talk of video games as being “fun,” but in his new book The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, we frown, grimace, and shout in frustration. So why do we play video games even though they often make us unhappy?

At this book launch event, Jesper Juul will discuss game failure with Doug Wilson, PhD graduate from the IT University of Copenhagen and indie game designer at Die Guten Fabrik of Johann Sebastian Joust fame, and Frank Lantz, veteran game designer and Director of the NYU Game Center.

During the talk, the panelists will play painfully challenging games, and the audience will be invited to share the pain.

Jesper Juul is an assistant professor at the NYU Game Center. He has been working with video game theory since the early 1990′s. His previous book are Half-Real and A Casual Revolution, also on MIT Press. Jesper is a sore loser.

This event is free and open to the public.  Seats are limited, RSVP here: http://bit.ly/YsnWK1

Copies of The Art of Failure will be available for purchase following the lecture.

My new book: The Art of Failure: An Essay on the Pain of Playing Video Games

artoffailure_cover_180x264[1]My name is Jesper, and I am a sore loser.

And my new book The Art of Failure: An Essay on the Pain of Playing Video Games is fresh out on MIT Press!
(On Amazon.com. UK.)

To wit: I hate to fail in games. I think I enjoy playing video games, but why does this enjoyment contain at its core something that I most certainly do not enjoy?

We tend to talk of video games as being fun, but in The Art of Failure, I claim that this is almost entirely mistaken. When we play video games, we frown, grimace, and shout in frustration. So why do we play video games even though they often make us unhappy?

In the book I compare game failure to tragic literature, theater, and cinema. Where stories concern the inadequacies of others, game failure is special in that it concerns our personal inadequacies

The book covers the philosophy and psychology of failure, as well as the problem of interactive tragedy, and it shows how different types of game design makes failure personal.

Finally, I argue for our right to be just a little angry, and more than a little frustrated, when we fail.

Where to get it

Get The Art of Failure from your neighborhood bookstore, your favorite online retailer, or from the book’s companion website: http://www.jesperjuul.net/artoffailure/

The book is available in both paper and ebook formats.

Official MIT Press page: http://mitpress.mit.edu/books/art-failure

Thanks to everybody who made this book possible!

-Jesper

Endorsements

  • “Frankly, I hadn’t expected to enjoy a book about failure nearly as much as I did. Jesper Juul brings many different fields of study to the table and provides an engaging learning experience.”
    —Brenda Brathwaite Romero, game designer, COO and Co-Founder of Loot Drop
  • “I can think of no other medium that so constantly forces its participant to contemplate their own demise. The act of playing games is one dotted with near-endless failure. Yet we plow on. Jesper Juul’s new book is exactly the sharp examination of failure I need to keep myself from stabbing my eyes out when I get frustrated.”
    —Jamin Warren, Founder, Kill Screen
  • “In The Art of Failure, Jesper Juul explores an interesting idea and asks provocative questions. This book will be of interest to developers, players, scholars, journalists, and readers with related interests, such as chess players or athletes.”
    —Henry Lowood, Curator for History of Science & Technology Collections, Stanford University